sculpture, etc. > new sculptures + paintings (2018-2017)

reconstruction art
wood and mixed media
abstract painting
acrylic, graphite and mixed media on plywood
landscape painting
acrylic, graphite and mixed media on plywood
Red and Gold Painting
acrylic and mixed media on plywood
Sculpture
wood, paint, mixed media, and old toys
2017

7 New Sculptures (and a few small paintings)

Fresh from Travis's garage, this show will feature new wooden (useless) vessel forms, some of which have been evolving for over a decade.

Sketched, built, carved, drawn-on, dis-assembled, rebuilt, painted, tethered, clamped, and tinkered-upon (memory-inducing?) studio-space-craft-vessel forms……………….sort of. Perhaps they are ruminations on the idea of an ark. Maybe they are beautiful. Made primarily from reclaimed materials, these process-oriented works take a winding path to completion, evolving from continuously redrawn sketches and traveling through many transformations before being cut apart, reassembled, and reworked. Parts are often transplanted, left behind, or recycled.

These sculptures play off the forms of tools, toys, and boats and have layers of mark-making and painting that contribute to the building of a vague "history". Curious inspection and patient observation reveal previously unseen drawings and room-like interiors, many with small chairs and ladders “left over” from previous inhabitants.

The acrylic and mixed media on wood paintings are created through the accumulation of many marks and layers of paint, they are often glued together, sawed into smaller compositions, cut apart, reoriented, sanded, scraped, and repainted. It is often difficult to know exactly when a work is complete, but I try to make each painting evolve in a slightly different way by attempting to find the right balance between clarity and disintegration. These blobby diagrams suggest daily processes (and hint at a few possible narratives) and are informed by such non-art drawings as carved initials in trees, phone conversation doodles, and the walls of a well-lived-in house. This daily record of mark making fascinates me, for it is an indication of the overwhelming need to leave a visible record of our existence.